It's nice, when the lights come up at the end of the movie, to not be like, "What did I just watch?"

I wouldn't know anything about opera music if it wasn't for Bugs Bunny. That was my entire introduction to opera music. I wouldn't know anything about classical music if it wasn't for "Fantasia." They didn't have to do that stuff. They chose to base this ridiculous, funny, intriguing, creative story on this beautiful classical music. It's the combination of the high and the low that I thought was very cool. But I had no concept of it as a kid.

When I was a little kid, I kind of liked the commercials more than a lot of the stuff on TV. My favorite ones were the Miller Lite ads with all the jocks in them. "Tastes great, less filling."

It's definitely nerve-racking to be the center of attention. I'm not the kind of an actor that just craves attention 24-7 - but it's part of the deal. You're the leader on the set

Struggle is part of the journey.

Any time you're making a movie, all you want to do is reduce the variables of things that could possibly go wrong. I think that's why we work with the same people over and over again.

Men ruled the roost and women played a subservient role [in the 1960s]. Working wives were a rarity, because their place was in the home, bringing up the kids. The women who did work were treated as second-class citizens because it was a male-dominated society. That was a fact of life then. But it wouldn't be tolerated today, and that's quite right in my book... people look back on those days through a thick veil of nostalgia, but life was hard if you were anything other than a rich, powerful, white male.