After my first novel, my mother said to me, 'Why don't you make your writing more funny? You're so funny in person.' Because my first novel was rather dark. And I don't know, but something about what she said was true. 'Yes, why don't I?' Maybe I was afraid to be funny in the writing. But since then, seven books later, almost everything I've done has a comedic edge to it.

I certainly want to portray the importance of friendship. I had noticed in movies and TV shows that friends often treated one another terribly, and my friends, the few I have, are never cruel to me or unkind, so I wanted to convey that.

Whether I'm writing scripts or prose, the goal is identical. To give pleasure. Now whether I succeed or not is up for debate, and, mostly, I fail. But I try. I like to make things. It's a way to stay busy during one's ephemeral and confusing life.

The real self and the public self are intertwined, like a tumor around an organ, and you can't cut the tumor or you'll kill the organ, so they live together, until the tumor chokes the organ off - but which self is the tumor?. Or it's like something out of Star Trek. The Borg.

A lot of writing is a form of seeing - putting down what you see in terms of action and landscape.

I've always been inspired by Don Quixote as a role model of sorts, of the power of books to sort of make you insane in maybe a beautiful way.

For me, books have always been a way to feel less alone while being alone.