I don't really recognise success. I don't see myself as on an upwardly mobile trajectory. I see myself as on the edge of a cliff about to fall off.

I grew up in northern New Jersey - the banlieue of New York - and I now live in Brooklyn. I am separated from my parents by about 50 miles, but really there is almost no distance between us. I speak to them nearly every day.

It's hard for me to think of writing a novel, because it takes so long.

I didn't play or like a lot of board games as a child. I liked playing with my G.I. Joes and making up adventures for them.

After my first novel, my mother said to me, 'Why don't you make your writing more funny? You're so funny in person.' Because my first novel was rather dark. And I don't know, but something about what she said was true. 'Yes, why don't I?' Maybe I was afraid to be funny in the writing. But since then, seven books later, almost everything I've done has a comedic edge to it.

I enjoy both TV writing and novel writing, and they are very similar. The goal is to entertain and amuse the audience, and I subscribe to this P.G. Wodehouse piece of advice: "Try to give pleasure with every sentence."

Maybe my work isn't a cry for help. It may just be a baby's need to cry or a dog's need to bark. You know, barks that seem connected to phantom noises and cries that just come; though a baby's cries are usually efficient - something is bothering them. Anyway, I think giving money is a sign of love. If you truly want to help someone, a lot of times giving them money is the best thing you can do.