The only bright feature of cultural relativism's triumph is that it has become establishment orthodoxy and will thus one day be derided, resisted and overthrown.

I think the French agonise more about being French, I don't think English think about being English that much. I think the Scottish think about being Scottish and the Welsh think about being Welsh, but the English don't really care. But the French think about it all the time, it's an absolute preoccupation.

I don't think things necessarily should have a meaning. If stuff has a meaning then why do [writing] about it? If you're trying to say, 'Tall buildings are great' why not just leave it at that: "Tall buildings are great."

You always have to find something to say about the subject and in seven cases out of ten there is nothing to say.

I think that cheap music often does make you dream more than more serious music, whether that's serious music by Beethoven or Miles Davis or Pink Floyd... if the Floyd ever did serious music, which I seriously doubt.

I think in space or music or art or literature of any kind there has to be some kind of void where the viewer or the spectator or the listener or the reader can insert themselves into it, and there is a certain kind of architectural space which is totalitarian, which does not allow you to do that.

If you're going to write about something it becomes a damn sight more interesting than if you're not going to write about it, because you engage with it actively in a way that you wouldn't if you were just passing through or if you were going to St Helens to visit family or if it was a place that made you resentful because you'd always wanted to escape from there.