I've been very lucky to have a family who has welcomed me and not been hung up on anything racial, almost overlooking the fact that there was a racial difference. But I can honestly say I do feel like I missed out on some lessons of what the African-American experience is like growing up.

If it's comedy, you taken an absurd comedic notion and you apply it to reality. If it's horror, if it's a thriller, you do the same thing.

Anyone who's really utilized collaboration has a philosophy like, 'Let's throw it all against the wall and see what sticks.' That's how we do it. At a certain point, we're cutting scripts that we love.

Since we were renamed, and now it feels like 80 percent of the African-American population has the name Washington or Jefferson or some president or slave owner's name. And, I almost wonder is this, like, is this part of a way of taking back the principle of naming your - I might be going too far into this - but naming your kids something of your choice?

[Barack Obama] will touch you on the shoulder and, you know - in that big brother or father figure kind of way. And you really do feel sort of shepherded by him.

When people get together, we are capable of the most beautiful, amazing things. But we are also capable of genocide.

I love dipping into worlds at a fast and furious pace. A little glimpse allows the audience to put together the rest of that world in their brain. I love sketches that require the audience to piece together the comedic engine themselves. Give them all the information but not tell them what the scene is about so they can have that eureka moment of, "Oh my God, he's only used to the way urban students pronounce their names. That's what's going on here.".