I liken feedback to the effect of when you go surfing; you can get pummeled by a wave, but if you balance the forces right, you can have a dandy ride ... that's pretty much what feedback is.

The blessing of this music is that it is fun to do and it keeps evolving.

I started with the chorus of that song, kind of like a fun bouncy thing to play, and then one of the lines popped up: 'I got things to do today, people to see, things to say.' I wrote about a dozen verses for it, but no song needs to be that long unless you're Bob Dylan. So when we recorded it I started to tear it down to some of the lines I thought were the funniest.

I'm not sure I ever pleased Ian [Buchanan] with my progress, but he continued to tolerate me. I had to work at everything that I did. Well, it wasn't work; it was fun actually.

Of course when you are a kid you listen to what your parents had around. A lot of gospel, jazz. Now when I started to listen to music on my own it was around the time of the birth of rock and roll. Shortly thereafter I started to get into more blues and more traditional rootsy American music.

With the bass it's another thing. I don't need to use alternate thumb-picking as much. Even though Jack says he loves it. My thought is that it might irritate him somewhat.

I can only be me. I do what I do, I'm not a jazz player. ... I don't play jazz standards, at least not in any recognizable way. It's not my turf but I have plenty of respect for that style of playing.