With the bass it's another thing. I don't need to use alternate thumb-picking as much. Even though Jack says he loves it. My thought is that it might irritate him somewhat.

We do a wealth of stuff (live), drawing from over the years.

I'm not sure I ever pleased Ian [Buchanan] with my progress, but he continued to tolerate me. I had to work at everything that I did. Well, it wasn't work; it was fun actually.

I was writing a lot of true love songs-true love almost gone wrong but saved at the last moment...Many of the best songs get written in a state of abject misery. I prefer to write fewer songs and have less cataclysmic events in my life...Some hit songs are really stupid, and who knows why they're hits. But a lot of hit songs are really good.

Just because a guitar is old doesn't make it good... I've seen guitars that were old but weren't as good as the reissue ... for me, it's not the age that makes it happen, it's the quality of the instrument.

I liken feedback to the effect of when you go surfing; you can get pummeled by a wave, but if you balance the forces right, you can have a dandy ride ... that's pretty much what feedback is.

My dad was president of the Finlandia Foundation for a number of years and there was a period of time when he tried to get me in. I'm glad I finally got in.