Film, as any immigrant will tell you, television and movies is the way we make sense of America when we first got here.

We're talking about America - a country that's been built on the back of cheap labor. That's addicted to cheap labor. Talk to the Chinese and Irish who built the railroads. Talk to the black people who built the South. So what is the US-Mexico conversation really about?

The hardest stories we tell are always about ourselves. How do you explain that you have been missing your mother for 20 years? I don't know how to explain that to you. I wasn't even sure I wanted to film that, because I don't know how I felt about it. I didn't want to put her through it, and I frankly wasn't ready. Because since I was 16, I just had created my own life for myself, you know? I left when I was 12. I'm 32. And I have gotten to know my mother more through editing her and looking and watching and editing her footage, you know.

One of the things I had to really wrap my head around is I have no control over what people call me: advocate, activist, gay, Filipino, undocumented person, gay person with an Asian face and Latino name.

America is White and Black and Latino and Asian. America is mixed. America is immigrants.

I remember the first thing I did when I found out I was illegal was to get rid of my thick Filipino accent. I figured that I had to talk white and talk black at the same time, like Charlie Rose and Dr. Dre. If I can talk white and black then no one is ever going to think that I'm "illegal."

Independent of politics, the changing narrative on immigration is directly correlated to the fact that we have new technologies that are allowing people to talk to each other and tell their own stories and organize themselves.