The last really expensive trip we took was so uncomfortable. It's so lazy. I want somebody to give me a great $30 massage as opposed to a bad $265 massage.

We talked to Sergei Bodrov who did "Mongel" who I thought was incredible. There was a lot of people who've done a lot of things that I really appreciate and then you go back to the Italian spaghetti westerns that our spaghetti westerns were based off of so I've seen everything.

I know that, for me, working with people like Robert Rodriguez and Ridley Scott and the Coen brothers and Oliver Stone and Gus Van Sant was so much easier than working with a lot of the people I had worked with before, because with these guys, there's not a lot of ego involved. It's all about the work. It's all about how to make the story better. So at the end of the day, you feel a trust that you usually don't feel - or at least I haven't felt in the past with most people.

George W. Bush brought a lot of minorities into his administration, which was a positive thing, and they had some issues that they wanted to press, but 9/11 really gave them direction. It gave them a purpose.

I grew up, especially as an actor thinking that I had to move to New York to be a good actor. But after a while you start to live the world a little bit and you start to appreciate where you're from.

In fact, I am so happy to be turning 40 and finally having a reason to take responsibility for my own behavior. It's also worked for me in terms of my physical appearance and emotional make-up and people entrusting me to bring the things a role deserves. I don't know whether that's depth or being a curmudgeon or what.

Fear - there's always fear. You re-create yourself in every movie, don't you?