Sometimes I don't want to go out and socialize; I just want to watch my favorite shows and comedians. But then I have to remember that it is important to participate in life if you want to portray real life on screen.

Real artists take the misery and sadness of life and translate it into art.

I need to gain a lot more experience. I think so much of being a director, other than the technical aspect and the artistry of it, is the confidence that you are, I think in many ways, you're the captain of the ship.

I had to battle it out with all the usual suspects and whatnot and go to the callback. I was lucky that (writer-director) John (Levine) and I were sort of these two white-boy hip-hop-heads from New York. I think that alone got me in the door.

I'm forever in debt to Nickelodeon. It made me who I am today.

I don't think it's very difficult to bring a virginal, angst-ridden, hip-hop grunting white boy to the screen. Not that I have any experience with that. I don't know man. I understood where his head was at, because he was this 18-year-old cat that thought he was a man, but didn't really know what it meant to be a man.

Method Man, for him to offer me the spot as the first Jewish member of the Wu Tang Clan, you know, was an honor.