Not getting girls is the story of my life. I have always had a bit of a tough time with the ladies. I don't know whether it's that I don't have game or just don't feel comfortable in my own skin, but females pick up on that.

I know about hip-hop culture, whether it's graffiti writing or DJ-ing or being an MC.

Sometimes, you run into trouble as an actor when you're not working with someone who is collaborative or doesn't bring themselves to the piece, and you sort of have to start worrying about yourself and protecting what works for you in the scene. I never had to do that in this movie because it was sort of this trapeze act.

Just to be part of a process where you hit no professional speed bumps and you're just sort of going on and on. I'm surrounded by these people that are all so collaborative and all bring things of their own to the process. For them to be alive in the scenes so you don't have to worry.

Not getting girls is the story of my life. I have always had a bit of a tough time with the ladies. I don't know whether it's that I don't have game or just don't feel comfortable in my own skin, but females pick up on that.

To me, there's nothing greater than making people laugh.

I had to battle it out with all the usual suspects and whatnot and go to the callback. I was lucky that (writer-director) John (Levine) and I were sort of these two white-boy hip-hop-heads from New York. I think that alone got me in the door.