It's a lifestyle. If you do something good that is worth making, you should make it forever. It's like being a farmer. Just because he makes a gallon of milk doesn't make him stop.

I'm not really that hard-working. We've hung out a lot, and you know that I don't work harder than you. Everyone else is just really lazy. People do half a thing, and then they just go out to lunch.

Everything comes from a weird place that I don't understand. I make a piece of art just to prove that I exist in my own way. And I can't make something nice. I have to make something that makes me uncomfortable.

It's a stage with four lights clamped to it with walls made out of plywood. And then my name's in the center. It's the type of thing that can be made over and over again. It's not like a Michelangelo sculpture.

I'm a happy, happy person. I laugh. I'm not angry. I'm only disgusted with a few people in the world that I have to see. But I'm not angry at all.

So rather than someone coming to my stu- dio and saying, like, "Thank you for your time. I'll see you later," and me not knowing why they don't like my work, I understand now why they don't like it.

It's three disparate elements: the stop sign, the stage paintings, and the skeleton paintings. Those are three sharp ideas, although none of them are necessarily good ideas. Tons of artists have made whole careers out of those three ideas.