Writers are completely out of touch with reality. Writers are crazy [people]. We create conflict - for a living. We do this all the time, sometimes on a weekly basis, we create horrible, incredible circumstances and then figure a way out of them. That's what we do.

Everything is so fragile. There's so much conflict, so much pain... You keep waiting for the dust to settle and then you realize this is it; the dust is your life going on. If happy comes along - that weird, unbearable delight that's actual happy - I think you have to grab it while you can. You take what you can get, 'cause it's here, and then... gone.

We have things to say about Congress and all of that. I think we may have our magnum opus coming yet. It's a piece called "Leonard" that I'm very excited about, and I think we're going to see a side of Chris Pine that people haven't really seen yet. That's all I'm going to say, but I'm proud of it.

When it comes to the iconic moments, you sort of have to take all of those things and distill them the same way the costumers do and everybod Distill them and then find your own. The most iconic moment in the movie is, assuming they do, when they assemble.

I love all genres. The only thing I get stymied by is the Family Drama. I don't necessarily know how to approach that.

I believe the only reality is how we treat each other. The morality comes from the absence of any grander scheme, not from the presence of any grander scheme.

If the apocalypse comes...beep me!