I think that there's room for everyone. I don't think that if one person succeeds then another must fail. That's lunacy. I'm not sure what the reasons are for my philosophy, maybe it's the fact that if there are ten people doing the same job, we all know how we feel and what our high points and low points are.

I did a Moonlighting episode because I was friends with Whoopi [Goldberg, who guest-starred in the same episode], and she asked me to do it and I did it. But yeah, that was my first regular on a series, and it's because I'd met Brooke Shields a number of years earlier at a charity event.

Fandango is not really a Western. It's really just set in Texas. It's a road picture. And then I did one that hasn't come out yet called Kreep, which is set in Texas, but it's not really a Western. But it has a more rural-Texas feel to it.

You can do crap work in a big movie, and it does good things. You can do great work in a movie no one sees, it does nothing. That's the way it goes.

It's like they talk about how American actors have the method and English actors just kind of switch views faster. And John [Hurt] is telling me the story as he's sitting in that witness chair, and they're putting the final touches of makeup on. And he goes, "Hold on a second," to stop his story so he can do the take. And he does this incredible take. They go, "Cut." And then immediately John goes, "Anyways, so Alec, he's playing the chess." And I'm just going, "Holy crap." You get whiplash from those kinds of quick turns!

The first animation thing I did was the first Transformers, the one that was animated many years ago. And I had heard that Orson Welles was doing a voice on it.

With failure, you just try again.