I do think we need to allow for there to be room for subversive and ironic speech. We need to be able to put out plays in which we make fun of ourselves or in which we interrogate the words that injure us. And maybe give them another meaning.

What we need are poems that interrogate the world of pronouns, open up possibilities of language and life; forms of politics that support and encourage self-affirmation.

Parody by itself is not subversive, and there must be a way to understand what makes certain kinds of parodic repetitions effectively disruptive, truly troubling, and which repetitions become domesticated and recirculated as instruments of cultural hegemony

I think there is a demand. The demand is for a radical economic and political restructuring of the world. And most people would say that's impossible. And it may or may not be achieved, but I think that's less important than articulating what a just and fair world can be.

"Gender trouble" is old. I mean, you know, in New York, it is old. I mean it's sweet. I mean people are really kind about it but it's like a former love affair you had and you're done.

I certainly don't mean to suggest that all investigative journalism prior to 9/11 in the US was praiseworthy. But there were more examples to which one could point, and there were at last some activist photographers who understood that getting information into the public sphere in spite of military censorship was a right and obligation within democracy. That strain in war journalism did nearly vanish during that time.

The state or global forms of power that seek to protect populations considered in danger may well extend their own power through those acts of protection.