One struggles always with these norms. So one doesn't construct oneself freely without respect to norm but one works with one's historical situation and sees where there might be some play. Where there might be some freedom to move.

I think we need a politics that allows us to risk what is intelligible. To be maybe slightly unintelligible, too be slightly "illisible". To take the risk of suggesting that the human form might take another form.

Revenge tries to solve the problem of vulnerability. If I strike back, I transfer vulnerability from myself to the other. And yet by striking back I produce a world in which my vulnerability to injury is increased by the likelihood of another strike. So it seems as if I'm getting rid of my vulnerability and instead locating it with the other, but actually I'm heightening the vulnerability of everyone and I'm heightening the possibility of violence that happens between us.

Photographs can be forms of recruitment, ways of bringing the viewer into the military, as it were. In this way, they prepare us for war, even enlist us in war, at the level of the senses, establishing a sensate regime of war.

When we say gender is performed, we usually mean that weve taken on a role or were acting in some way and that our acting or our role playing is crucial to the gender that we are and the gender that we present to the world.

People who have been made stateless by military occupation are entitled to repatriation, and then the question is to which state, or to what polity or area? Those who have had their goods taken away are entitled to compensation of some kind. These are basic international laws.

The life doesn't simply get erased. It gets imprinted and remembered.