We need a legal and political understanding of the right of the refugee, whereby no solution for one group produces a new class of refugees - you can't solve a refugee problem by producing a new, potentially greater refugee problem.

It's my view that gender is culturally formed, but it's also a domain of agency or freedom and that it is most important to resist the violence that is imposed by ideal gender norms, especially against those who are gender different, who are nonconforming in their gender presentation.

Maybe we need to start with the rethinking of what is "west" and what is "non-west." It seems to me that there are any number of populations who already cross that divide, and we could probably point to several existing states that belong exclusively neither to one category nor to the other. Do we use these terms to designate geographical realities, geopolitical ones, or perhaps sites of power, exploitation, orientalism that move through space and time in ways that have to be tracked historically.

The problem with Antigone is that she stood up to the despot Creon, but in such a way that she ended up dying. So she bought her defiance with her death. The real question I ended up asking was, "What would it mean for Antigone to have stood up to Creon and lived?" And the only way she could have lived is if she had had a serious social movement with her. If she arrived with a social movement to take down the despot, maybe it would have taken 18 days only, like in Egypt. It's really important to be able to re-situate one's rage and destitution in the context of a social movement.

A different kind of pleasure surfaced in the aftermath, the pleasure of seeing the towers fall time and again, the experience of being entranced by the visual spectacle, and then also the very graphic forms of public mourning for exemplary citizens (taking place at the same time as the refusal to mourn the undocumented, the foreign, gay and lesbian lives lost there, for example). I am not sure that the guilt over the pleasure re-installed the good citizen.

Gender is an identity tenuously constituted in time, instituted in an exterior space through a stylized repetition of acts.

It seems to me that "Gender trouble" will always be important to try and open up our ideas of what gender is. So, I don't know if it's revolutionary, but maybe it still has something to say to those issues.