We need a legal and political understanding of the right of the refugee, whereby no solution for one group produces a new class of refugees - you can't solve a refugee problem by producing a new, potentially greater refugee problem.

Some trans people thought that in claiming that gender is performative that I was saying that it is all a fiction, and that a person's felt sense of gender was therefore "unreal." That was never my intention. I sought to expand our sense of what gender realities could be. But I think I needed to pay more attention to what people feel, how the primary experience of the body is registered, and the quite urgent and legitimate demand to have those aspects of sex recognized and supported.

I think we are affected by others in all kinds of ways. I do understand what it's like to wish to control the conditions under which we can be affected by other human beings, but none of us really are.

Because Al-Qaeda has been a non-state centered organisation, many of these scenarios do not exactly apply. These are not wars between states. And yet, it seems to me that we make a mistake if we accept the view that states are fighting terrorism, since we have abundant evidence for accepting the idea of state terrorism, and what is most urgent is to track and expose how state terrorism operates under the rubric of "democracy."

"Gender trouble" is old. I mean, you know, in New York, it is old. I mean it's sweet. I mean people are really kind about it but it's like a former love affair you had and you're done.

I certainly don't mean to suggest that all investigative journalism prior to 9/11 in the US was praiseworthy. But there were more examples to which one could point, and there were at last some activist photographers who understood that getting information into the public sphere in spite of military censorship was a right and obligation within democracy. That strain in war journalism did nearly vanish during that time.

Visual renditions of war not only establish what can be seen, and the audio-track established what can be heard, but the photographs also "train" us in ways of focusing on targets, ways of regarding suffering and loss.