I like the idea of doing a little movie every week. When you do a movie, you don't know when it's going to come out. In a year, you forget about it. I forget stories that happened on set. I forget who I worked with. I forget my lines, my characters' names. This is so fresh. We make it, and it's on TV. It feels more like a living, breathing thing.

I think that comes with a collaboration with the writers. I think that we get cast in edgier roles because we are a little more offbeat, so people - as we get to know the writers, and as the writers get to know us, they start to write around us more, and that's why I think the pilot is not always the best way to get to experience a new television show, because we're fitting ourselves into these characters. Whereas as the show evolves, they're writing the characters for us and for our strengths and weaknesses.

It's so cheap to just release a movie. You can do it by yourself if you have to. Put in on the Internet if you have to.

It's so cheap to just release a movie. You can do it by yourself if you have to. Put in on the Internet, if you have to. It's... I don't care anymore. It's what I do. I feel like, until now, I just do pilots. It doesn't bother me. It's just about the experience. I get to learn.

At least 35 years ago, you didn't have the internet telling you every single thing that happened in every school and college around the world.

I think that it's just extremely rare to see any kind of TV show that's completely written by one person, regardless of what any showrunner will tell you.

Being able to go to work every day with such a good friend - especially in this business where your jobs are short, the turnover's fast, and you're working all the time with so many different people, and there's so many different projects going on that the odds are that you could actually book something that hopefully, knock on wood, is a long-term job with one of your best friends - is too good to be true.