I don't think good films have messages.

One of the most ephemeral and important things is atmosphere and tone and it's very hard to put your finger on what creates that.

The point is the 'me' that you see before you is not the 'me' in my private little space, shape-shifting into the writing role, nor is it the 'me' that works with the actors. Here, at the end of the film doing interviews, I feel like I'm in disguise.

It's dangerous to think too much about how a film will be received. Filmmaking is not a popularity contest. Some would disagree.

To me the question of inspiration is an exercise in hindsight. The truth is inspiration is mysterious at the time. I don't think it's ever a rational process.

I always find it extremely hard to remember the act of beginning. I almost deliberately forget it.

Although filmmaking is collaborative and involves trust, ultimately it is the director who holds the whole picture together in their head.