I think it's really special to be a part of something that people are still watching or thinking about or interested in, or remember fondly many years later. I don't think it's annoying at all.

When Paul [Greengrass] was writing, he'd send me story ideas that he had. He was particularly interested in social movements and revolutions that had been happening all over the world, and how computers and the internet had helped those movements. He encouraged me to read a book about Anonymous, the hacker group called "white hat" hackers, meaning they're driven by ideology and social disruption as opposed to just greed.

I used to struggle a lot with dwelling on how the day at work was, and I would dwell on my performance. Now, I'm like, "Well, that's over and done with, and I can't control the outcome, so move on." I just remember that it's entertainment I am making.

Theater makes working in movies or TV seem like a cake-walk.

Actors can write and produce too. Then when I was working on Jason Bourne­ - having had that experience - instead of going back to my trailer and being separate from everyone else, I would sit behind the monitor and watch Paul Greengrass work and be much more included in the process. That was new for me and really enriching.

I do think that the more takes you have the more opportunity to experiment [but] at a certain point, there are diminishing returns. There's only so much variety you offer.

Theater is like going to the gym for actors.