Maybe I would get the chance to be financed for a small romantic comedy, but a war movie by a 28-year-old woman about Japanese soldiers? No one was going to go for that. It's easy to just steal an idea because it's very safe.

My experience is that relationships can be difficult, hard work. I love to be in a relationship.

I think anyone who has had a fight and who's a very good observer of the situation and people's behavior is capable of writing a fight. But you do start thinking about writing during the fights that you have with your partner.

Our society is so much about fidelity being this thing that's sacred, and people are miserable. They're suicidal. It brings more depression than anything else on earth, probably. Sorry to say that, guys.

Performing is the hardest thing. Even though I've done it for so many years, it's still exposing yourself. You suddenly become extremely vulnerable when you're on camera. You're filmed and you're being observed. It's a bit of a violation each time.

The way I work is that I never let people do an assembly. I don't like it because it shapes the film in a way that I can't really control. To me, editing is making the film and it's a huge process and editors are under-rated.

I've never had help from anyone, ever. I've never had this great director who saw themselves in me, because I'm a French woman in Hollywood. Who could identify with me as a successful director in Hollywood? Nobody. And the few people who could have been mentors, instead they just stole my ideas.