I want to be positive and say: everything I've written will get made eventually.

Very quickly I realized that directing is a combination of things: It's visual, it's directing the actors, it's telling a story. And people don't always mention this part of directing, but it's also knowing how to really edit something into something that makes sense.

The way I work is that I never let people do an assembly. I don't like it because it shapes the film in a way that I can't really control. To me, editing is making the film and it's a huge process and editors are under-rated.

Some films do portray women in their 40s well, and some other films don't. Some films are written by women, so maybe there's a little more accuracy there.

It's very hard to sustain love, that's for sure. But the more you have your own life and your own self, and the less you give away who you are, the more men are attracted to you. The more desperate you are for a relationship, the worse it is to find a healthy relationship. Because the minute you become one-and-a-half people instead of two, it's a mess. Nobody's happy. Keeping your identity and having your own life and your own self, that's the only way I can make my life and sustain life.

I put my films together in Europe and it kick-starts the financing when I'm attached as an actress. It makes it easier to move forward.

It's terrifying. Women make their first film, their second film, and then it's like a nightmare, right, to make the third or fourth? I mean, it's almost like men can have three films in a row that don't do that well and keep on going.