I want to be positive and say: everything I've written will get made eventually.

Maybe I would get the chance to be financed for a small romantic comedy, but a war movie by a 28-year-old woman about Japanese soldiers? No one was going to go for that. It's easy to just steal an idea because it's very safe.

I'm dreaming about making movies for eight weeks, because it's a luxury. But time is money. That's the reality.

In real life, when you speak with each other you overlap each other, so you can't fake that. Like especially when you have no cut. In a regular film when you want people to overlap you cut it that way. It's mixing and editing.

Some films do portray women in their 40s well, and some other films don't. Some films are written by women, so maybe there's a little more accuracy there.

It's very hard to sustain love, that's for sure. But the more you have your own life and your own self, and the less you give away who you are, the more men are attracted to you. The more desperate you are for a relationship, the worse it is to find a healthy relationship. Because the minute you become one-and-a-half people instead of two, it's a mess. Nobody's happy. Keeping your identity and having your own life and your own self, that's the only way I can make my life and sustain life.

It's easier for Europeans to give money to a movie that says a blow job is what brought down American democracy.