I don't like to be overly directing people either. I tell them what I want and I tell them when it's wrong. I tell them no, that's not what I want. I want it more like this or more like that. I'm pretty direct with everyone, and I treat everyone the same which might be good.

I've proven that I'm not a complete failure. Every film has done well. It's like, "So, okay, when do I get my deal at Warner Bros?

I don't know any woman in France who doesn't talk to firemen and smile at them, because they're always so sweet, and they're wearing those tight pants. Even my dad looks at their ass when they walk down the street!

Basically, editing is done in rehearsal and in the writing process and in the acting, so it's very, very tricky, very, very tricky.

I have a few other films in my life where I'm not attached and for a long time it was too complicated. Now it's starting to change because other actresses actually want to work with me, which is great.

I talk a lot. I express a lot of my feelings verbally.

In real life, when you speak with each other you overlap each other, so you can't fake that. Like especially when you have no cut. In a regular film when you want people to overlap you cut it that way. It's mixing and editing.