The way I work is that I never let people do an assembly. I don't like it because it shapes the film in a way that I can't really control. To me, editing is making the film and it's a huge process and editors are under-rated.

Some people are still very romantic! I mean, those funny vampire films are super romantic, and I don't think that's bad. It means there are a lot of people who still believe in love in a weird way. Okay, it's a cheesy way, and I guess if you think about it, you're like, "Wait, you can love them as long as they're dead?" Maybe that's the point. Maybe it's more twisted than I thought. You can love but you can't age.

I avoid confrontation. When I'm on set I never snap at anyone. I don't have a temper.

Basically, editing is done in rehearsal and in the writing process and in the acting, so it's very, very tricky, very, very tricky.

I've never had help from anyone, ever. I've never had this great director who saw themselves in me, because I'm a French woman in Hollywood. Who could identify with me as a successful director in Hollywood? Nobody. And the few people who could have been mentors, instead they just stole my ideas.

I'm quite neurotic, usually. But when it comes to work, I become extremely focused.

Usually I'm able to imagine something and it comes out as I imagined, more or less.