I'm quite neurotic, usually. But when it comes to work, I become extremely focused.

Some people have bigger egos than others. You have to take a lot of abuse, and take it in and not respond, because you don't want conflicts on the movie, you don't want to start screaming at people even when they treat you - even when they're not behaving properly, because you want them to do their job, and keep on doing it.

I was six years old when I saw my first Godard movie, eight when I first experienced Bergman. I wanted to be a director when I was fourteen.

I think it's nice when everyone's happy. I'm that kind of person. But then sometimes you have people that are never happy, which also happened to me a little bit, people that always find ways to complain about everything. But if they're never happy, that's the way they are.

Men go out with me, we break up and then they get married. And later they call me to thank me for teaching them what love is. That I tought them to care and respect women. (...) I wanna kill them! Why didn't they ask me to marry them? I would've said no, but at least they could have asked.

In real life, when you speak with each other you overlap each other, so you can't fake that. Like especially when you have no cut. In a regular film when you want people to overlap you cut it that way. It's mixing and editing.

I've never had help from anyone, ever. I've never had this great director who saw themselves in me, because I'm a French woman in Hollywood. Who could identify with me as a successful director in Hollywood? Nobody. And the few people who could have been mentors, instead they just stole my ideas.