I'm quite neurotic, usually. But when it comes to work, I become extremely focused.

I was six years old when I saw my first Godard movie, eight when I first experienced Bergman. I wanted to be a director when I was fourteen.

When people go through a fight, they're saying things because they hurt, and they want to hurt the person back. Sadly, that's the nature of a relationship. It's one moment where you aren't very adult, but that's how love and a certain passionate relationship exists. When you love someone, it doesn't mean you become a perfect human being, do you?

I always feel this pressure of being a strong and independent icon of womanhood, and without making it look my whole life is revolving around some guy. But loving someone, and being loved means so much to me. We always make fun of it and stuff. But isn't everything we do in life a way to be loved a little more?

In real life, when you speak with each other you overlap each other, so you can't fake that. Like especially when you have no cut. In a regular film when you want people to overlap you cut it that way. It's mixing and editing.

We didn’t want to disrupt the creative process. We have the chance to make the films we want because the films are not expensive. It’s very rare to be able to do that. It’s completely pure.

Basically, editing is done in rehearsal and in the writing process and in the acting, so it's very, very tricky, very, very tricky.