I'm more focused or try to be more focused on my acting and writing and comedy and let the other stuff fall where it may.

I remember watching that show [Golden Girls] with my parents and not totally understanding it. Like, a lot of comedy flew over my head, a lot of the sexual stuff I didn't know. But because there was a laugh track, I'd laugh really hard, and I'm now remembering the look on my parents' faces - I had no idea why it was funny. I was sort of, like, laughing along.

I know that it feels dangerous and scary and working without a net, so to speak. And working without a net, for me - maybe other women do it a totally different way - means being vanity-free. That's how, as an artist, I know that I need to work.

I'm not necessarily [into] pricey products, and I'm not recommending super-fancy stuff. It's more the consistency and the sunblock of it all, engaging in that process - I can be a little snobby about it.

Another thing I also recommend is washing your face with white towels, little white towels instead of your hands. Other towels have dye in them and, with water on them, I just don't mess around with that. This way you're not getting your hands back on your dirty face as you're washing it. You're going to see what's coming off.

It's a very hard line to walk, and I certainly am nowhere near having cracked how to do that, but I try to focus on being a brave performer and not worrying about my lighting or whatever, even though, then, sometimes I see myself on screen, and I'm like, "Why did you wear that, look like that, whatever," but I'm also more accepting that is what it is. There's this battle always.

My perfect Sunday is waking up at 10 - which, you know, those days are over for me - but waking up at 10, breakfast with children, hanging out with well-behaved children.