I've been really lucky to work with a lot of really great actors, so watching the films back, it's really important to admire the people that you were working with and see their full performance.

For me, there is safety in playing a woman that is very sexualized and having a woman direct you with that.

There's such an array of brilliant roles for young women. You read all these amazing young women going through different stages in their life - different stages, different fascinations, different textualities, different friendships.

I find standard American the hardest. It really fits in a different place in your mouth. Southern, I find the easiest. If you talk to a dialect coach and you get sort of technical, where an English person keeps their voice in their throat, a Southern person does the same, and it's got the same sort of music to talking.

The size of a studio film lets you see technology in a way that you wouldn't on an independent film, like the gadgets and the angles and all that.

I just did a part in 'Sin City 2.' I got to do a scene with Ray Liotta. Amazing man, extraordinary gentleman who was just so kind to me... I'm so excited about that I think it's gonna be very cool.

I think there are so many unmaiden roles for women. I've been lucky enough to play girls with lots of different attitudes about sex. There's a couple other movies at Sundance that also show sex in a different way. That's exciting. I actually don't think women are being pigeonholed right now, and I like that. It's showing that men and women - when it comes down to it, we're animals, aren't we? I know how my next-door neighbors feel about it, and I hope they're enjoying it.