Electronic music, for me, has been the only real pioneering music that actually does push boundaries and is constantly futuristic.

As a label I don't care about piracy. I want the music that we [my band] love to be heard by as many people as possible. The more people like the music we put out, the better the label and artists will do. If anyone genuinely likes what we do they will find us, buy our vinyl or come to see the artists play live.

I can't even listen to Swans anymore. It doesn't do it for me at all, but I absolutely adore the early records and, on that same token, I wouldn't in any way wish for them to come back and repeat themselves.

I simply remix an artist accommodating the way I wish to see this track. Remixing is entirely personal for me, music is entirely personal for me, and it has to be a natural process.

Justin Broadrick has stated that the drum machine sound was heavily influenced by hip hop artists in the late 80s, particularly the beat on “Christbait Rising” which Broadrick was quoted as saying, “It was my attempt at copying the rhythm sample on 'Microphone Fiend' by Eric B & Rakim”.

What modern technology has done has afforded us the luxury of abbreviation and being concise with time, I think. Things that it would take you a week to do can now be done in a day, which is absolutely awesome because you can concentrate on the bigger picture.

Ultimately I live in the now with artistic creation, not what could or could not be in the future, if a creation appears timeless in somebody's opinion, it won't in others, that's not for me to guess.