I grew up in Tennessee where you either play football or you don't do anything at all. So I was a bit of loner, being interested in music.

I'm a very melody-driven writer and I have a rule that I don't write anything down because if I can't remember the melody than it wasn't worth remembering. So it's my way to test myself in the studio. When I was a kid I could sing pretty well so melody always made a lot of sense to me.

I get way more nervous playing golf in front of 500 people than being on stage in front of 20,000 people.

I would never do anything just for spite.

I just feel like there's something to be said about feeling comfortable with what you have and don't have. And - for instance, I don't think I'm particularly a great singer, but I feel like I write songs that complement my voice, you know, and I feel like it's unique. And I don't feel like I'm particularly a great actor, for instance, but I feel like I approach each thing that I do with some level of sensitivity. And I would say that comedy in general is the most disarming.

Nobody dressed like my dad. When he worked at the bank, he looked like Richard Gere in Gigolo. And he would do it all the night before, laying out the suit he'd wear the next day. Even on weekends, if he had to go into the office, he'd wear a trouser pant with a V-neck sweater and tie. And I was like, I want to dress like that! He was just so cool.

Your critics do not count. Their words will fade. You won't.