I wasn't making music consciously when I was younger. I was a musician, but that has its own stigmas. Anywhere on the planet, it's one of the more undervalued positions.

In the time of war, everyone was basically trying to live and manage the best they could. But you also had another period which was not a hard time at all - it was just a beautiful time. I lived in both eras. I got to fully experience and appreciate both the tragedy of Somalia and the beauty of it.

There's definitely anger, the demand of more from the world, a demand for justice. There's no other way I can perform the vocals than the way you hear them. It's not just the words, it's what is being felt.

Hip-hop in Africa has been very often a duplication of an American experience, but in a context that's totally alien to it.

To reach your goal authentically is probably, in the end, going to mean much more to you than having reached it in a false way.

I enjoy mediation. I think the artist's position is often to mend the things we feel are broken. Whether that's between two cultures or two thoughts. We're always trying to reach, trying to expand something.

The people of Somalia just do not have a voice. They are to me the most forgotten people in the world.