It was not my dream to be an artist. How could it have been? I thought, artist, much like a leader, was something you either were or weren't. Never something you set out to be.

I learned to fire guns at the age of nine or so, but luckily was not out killing people. We zigzagged the streets to escape those trying to kill us. I guess it would have been a matter of time till I turned around with a gun myself, to go after those coming for us. But I was fortunate. The grenade incident was about an explosion which destroyed a section of my school, from a grenade that me and my cousin detonated by accident. We both lived to tell about it.

I enjoy mediation. I think the artist's position is often to mend the things we feel are broken. Whether that's between two cultures or two thoughts. We're always trying to reach, trying to expand something.

There's definitely anger, the demand of more from the world, a demand for justice. There's no other way I can perform the vocals than the way you hear them. It's not just the words, it's what is being felt.

I think it's a mistake to work on success in career. I've worked on my passions obsessively. How can I say what I want to say more precisely than the last time I said it? Success is such an elusive concept. When you work for it, I think you get it in a way you might regret it.

The pirates are serving a purpose right now. They come from regions which have been completely ignored, and Westerners have tried to destroy these regions by their constant plundering of resources and by the illegal dumping of nuclear waste. The pirates really began in order to discourage these actions - initially. And then the business became lucrative.

It was interesting to find how dominating American vision is all over the world. I think there's something to be said about the world's mindset and its economics and all of that, and I think it affects the way we see ourselves and it affects music.