It was interesting to find how dominating American vision is all over the world. I think there's something to be said about the world's mindset and its economics and all of that, and I think it affects the way we see ourselves and it affects music.

And any man who knows a thing, knows he knows not a damn, damn thing at all.

Somalis really are very musically sophisticated, and they're about their own thing.

I faced quite a few challenging times, and in front of those, I was more positive than some people not facing those conditions. I'm actually of the belief now that it is that struggle that offers you that open-hearted hope.

Hip-hop in Africa has been very often a duplication of an American experience, but in a context that's totally alien to it.

It is the very survival of the streets that makes children pick up guns in Somalia, not some older, wide-eyed rebel leader. My intimate experiences during these years are something which I have shared with people through my music but am very careful about how they are addressed.

To reach your goal authentically is probably, in the end, going to mean much more to you than having reached it in a false way.