I cast people from right around me. I was at my alma mater. It's special to have most of the graduate students in it [and] one professor, because I feel like in terms of this school, I was one of the few students lucky enough to break into the art industry or the contemporary art world.

We all, as human beings, have different layers, and if we become one-dimensional or really superficial, then I still think there are things that happened that got us to that place.

I have the dream to continue being in an art context, but also be able to continue doing stuff in television on the web.

I've been in some biennales, and some I haven't. I always like the idea of how you meet the curator, hang out, and figure out who you want to work with.

I realized [using my own voice] is what creates the performance in the performance art and that's what helps creates the distance for the viewers, like the distance that I get when I step back.

I guess I cringe, because sometimes I don't even watch my live performances back. When I edit, it's this feeling of seeing my mistakes. It's always a mixture of loving characters, but being the artist that created it and not trying to go too deep in criticizing myself.

If I step out too much while in the process and don't allow myself to get into it, the piece may not get made.