Sometimes I just cringe. I can feel the emotion, that whole anxiety of being in this new world that I sort of evolved into. I would just do it, put it out there, and go for it.

When you get a critique, people think you're criticizing them but it's really an intellectual conversation. You can't get emotionally attached.

I was in that generation where I was torn if you should put it on the web because you're giving it away for free but you also want people to see your work.

It's interesting how as an artist you keep evolving, but if you can get into the contemporary art space, if the works are in institutions and museums, they keep living on and on and on, even if you move to a different space, that work is still operating.

As artists, sometimes our work is chaotic; we don't easily communicate our needs to other people in a way that they understand.

What really made me a performance artist was that I was able to step back and assess. I've always had [that ability], but it was coming to an understanding.

If I want to do something in the TV industry, I should be allowed to explore that, but not in a way where it has to cancel out or ruin my visual art career.