I did not have any philosophy at all when I wrote the first novel. I was just wanting to capture experiences that I thought would be inspiring for Indians who are trying to break free from the very high-pressured family environments and do their own thing.

Somebody who is purified with life enough would be able to read your feeling before it becomes a word in your mouth. It is not very hard to understand - and you meet people like that. Almost everything is very factual and scientific and not exaggerated.

Now, I think of my writing as having two foundations: entertainment and meaning. The meaning portion is really me trying to answer my questions. The entertainment aspect of it is how I make a story that can make people turn the pages.

I have been meditating for many years now, but I think for quite a few years my relationship with meditation was very intellectual. I would do meditation for all the usual things that you would think about, to be more calm, be more productive, relieve stress.

Here are two dichotomies here. In the West it is a very physical practice, and even meditation is a practice to become productive and more at peace. In the East, you think of the deep spiritual practices as a journey of complete dissolution of the self, the ego.

I don't think of the ashram world as being any more spiritual than the corporate world.

India went through a dramatic revolution after the '90s when our economy started opening up for the first time and Indians were now experiencing the Western life, if you will. Drugs and sex and a lot of those influences came in as the economy stabilized, and we were growing up and experiencing that. The Indian writing market was very small at that time. Our literature was very attuned to what Western audiences were interested in, so everybody was writing about the slums in India and magic realism or stories about Hindus and Muslims and partition.