I did not have any philosophy at all when I wrote the first novel. I was just wanting to capture experiences that I thought would be inspiring for Indians who are trying to break free from the very high-pressured family environments and do their own thing.

I did not have any philosophy at all when I wrote the first novel. I was just wanting to capture experiences that I thought would be inspiring for Indians who are trying to break free from the very high-pressured family environments and do their own thing.

There is no absolute truth that the guy sitting in the cave in the Himalayas is useless, because he is at that point in his journey where he has experienced everything in the world and does not have an attraction to it anymore.

I don't know if there is really an objective truth about either. I liken this to what Buddhism says about the individual, that change starts with the individual. I think it is really about purifying your own actions, and I have seen that in my own life.

The concept of karma is a beautiful concept in Sanskrit. The whole idea of karma is that every being has an innate tendency - the karma of ice is to be cold, the karma of fire is to burn, the karma of the trees is to grow and bear fruit. In the same way, a human has a certain thrust. What I've realized is that my thrust is to be in the world, like in the world of business.

Regarding some of the super powers that I reference, like walking on water, I haven't seen people do that, but once you get into the science, a lot of it starts to make a lot of sense, for example, like people being able to read your mind. It's very logical, because words are just a grosser form of thought, and thought is just a grosser form of feeling.

India went through a dramatic revolution after the '90s when our economy started opening up for the first time and Indians were now experiencing the Western life, if you will. Drugs and sex and a lot of those influences came in as the economy stabilized, and we were growing up and experiencing that. The Indian writing market was very small at that time. Our literature was very attuned to what Western audiences were interested in, so everybody was writing about the slums in India and magic realism or stories about Hindus and Muslims and partition.