We're at an interesting phase of Asian and Asian-American writing, where we might succeed in having readers look at us as creative individuals who write with fury and fire about the world, and in new ways, without having them say things like "I read a really good Indian book," or "That Malaysian fellow writes very well." So I hope by identifying as Indian I can get people who don't usually read "ethnic" or "Indian" literature to read that literature and enjoy it.

I also think that there's something about the graphic, political nature of such attacks, mixed with the fact that it all seems completely random to the victims.

But I think the goal of all these attacks is the same, which is to seize maximum media attention. Maybe some of these attacks were meant to be small. Some of them might have been failed larger attacks. And some of them are just part of a new strategy of doing lots of tiny attacks, as opposed to one large one.

Of course I had a piece of luck I couldn't have imagine for myself in a million years: I got an agent. That sped up the process. I'd say it's a good idea, getting an agent.

There's no way of preventing the media from covering attacks as huge events and until the media stops doing that, they will be huge in people's consciousness, and we have to treat these things differently from the smaller random acts of violence.

I don't know what you can do if it's reported that there's been a small attack in the second- or third-largest city in country X that you have no connection to. I don't know what you're supposed to feel or how you're supposed to get into that.

I think I know a lot of fake two-faced Ivy League liberals, and I am constantly testing them to see if their liberalism is a conversational liberalism, one that depends solely on what will fly at a party. And I can tell when stuff like this happens, I swear to God, they are tomorrow's conservatives.