We're at an interesting phase of Asian and Asian-American writing, where we might succeed in having readers look at us as creative individuals who write with fury and fire about the world, and in new ways, without having them say things like "I read a really good Indian book," or "That Malaysian fellow writes very well." So I hope by identifying as Indian I can get people who don't usually read "ethnic" or "Indian" literature to read that literature and enjoy it.
Karan MahajanLiterature has become too psychological. We discount the physical, when in fact much of life is physical. People's personalities are partly formed by, or in response to, how they take up space; the physical mask has some relation, howsoever obscure, to the mental work happening underneath.
Karan MahajanI have to admit that I was terrified of ending the book, precisely because I go around saying about pretty much every book I read, "It fell apart at the end." I have friends who are waiting to ridicule me forever.
Karan MahajanThere's this great fashion among writers, especially those who follow the transnational conservatives like V.S. Naipaul, to disavow one's place in the world as a sort of box that has sprung you but is only worthy of your scorn, because it once contained you. And I've been tempted to say foolish things, like "I am an American writer" or "I belong nowhere," but the truth is I'm perfectly proud of identifying as an Indian writer, even if that might hurt my bottom line.
Karan MahajanAmerica going into this huge, costly, never-ending war created huge debt, which became a huge problem in Congress and led to it stalling many times, putting a halt to different kinds of social progress.
Karan MahajanI think I know a lot of fake two-faced Ivy League liberals, and I am constantly testing them to see if their liberalism is a conversational liberalism, one that depends solely on what will fly at a party. And I can tell when stuff like this happens, I swear to God, they are tomorrow's conservatives.
Karan Mahajan