I am a voracious reader myself. I don't stick to one genre. My only criteria is that it's a good story. I try to bring that to my work because I think people can read your excitement about a story.

Alafair Burke understands the criminal mind. Long Gone is both an education and an entertainment of the first order. This is a very clever and very smart novel by a very clever and smart writer. The dialogue crackles, the plot is intriguing, and the pacing is perfect.

A good editor is one of the sharpest tools a writer can have in her toolbox.

You didn't realize what was passing you by until you slowed down a little bit to get a better look.

First and foremost, I want people to have a good read, because I want everything I write to entertain people. There are always different layers to the story, though, so if you want to think about social justice, or sexism or racism or homophobia, or really drill down into why the world is a better place when the police force looks like the people they are policing, then that's there, too.

I can’t—” Lena repeated. “I can’t do it. I can’t live without him.” Sara gently pulled her hand away from Jared’s. She smoothed down the sheet, tucked it in close around his side. She looked at Lena—really looked at her straight in the eye. “Good,” Sara told her. “Now you know how it feels.

I am a bit of a Dudley Do-Gooder, though, because if I see a car accident or something bad happen, I am one of those idiots who runs toward the problem instead of away from it. Not that I would recommend this behavior.