I'm an adventurer. I like invention, I like discovery.

But since the middle of the century in particular, the music has become very irregular in rhythm.

Or the other process that is important is that I compress longer sections of composed music, either found or made by myself, to such an extent that the rhythm becomes a timbre, and formal subdivisions become rhythm.

And I'll never forget the first time I took the possibility to project sound every day for six or seven hours with special devices which were built for me.

And I'm always interested when other musicians are trying to discover new worlds of sound.

In particular what is most important to me is the transformation of a sound by slowing it down, sometimes extremely, so that the inner of sound becomes a conceivable rhythm.

Repetition is based on body rhythms, so we identify with the heartbeat, or with walking, or with breathing.