Music is mathematics, the mathematics of listening, mathematics for the ears.

Repetition is based on body rhythms, so we identify with the heartbeat, or with walking, or with breathing.

And I'm always interested when other musicians are trying to discover new worlds of sound.

It is true that the eyes dominate the ears in our time.

Whenever I felt happy about having discovered something, the first encounter, not only with the public, with other musicians, with specialists, etc, was that they rejected it.

So there is a personal sense of style for a given work - I don't like a general style, but every work has its own style, and I want to create a style for every work.

In particular what is most important to me is the transformation of a sound by slowing it down, sometimes extremely, so that the inner of sound becomes a conceivable rhythm.