No, what is important is neither linearity or non-linearity, but the change, the degree of change from something that doesn't move to other events with different tempos in particular.

It is true that the eyes dominate the ears in our time.

I became aware that all sounds can make meaningful language.

We are no longer the same after hearing certain sounds, and this is more the case when we hear organized sounds, sounds organized by another human being: music.

And I'll never forget the first time I took the possibility to project sound every day for six or seven hours with special devices which were built for me.

In particular what is most important to me is the transformation of a sound by slowing it down, sometimes extremely, so that the inner of sound becomes a conceivable rhythm.

So there is a personal sense of style for a given work - I don't like a general style, but every work has its own style, and I want to create a style for every work.