When you see millions and billions of dollars being made in a genre, there are going to be copycats and people who jump in for the wrong reasons. Ten years ago, nobody was going to make dance music to try and get rich or even make a living. You couldn't! It was impossible.

I think what's made electronic music so fascinating is that it came up through the underground and always moved and pivoted so quickly that you could never keep a handle on it. That continues to happen. Sure, the stuff on the very top moves slower and is marketed for Spotify. But there are still going to be undercurrents that flow freely and move around, simply because there's too much of a base with this music.

I knew it straight away when Twitter first came around, and also Facebook, where it was so easy to post, that this was another way to speak directly with people listening to my music. If they found my music and they like it, most likely they want to hear more from me and hear what I'm about. I've put an enormous amount of time into that and it's played out well for me.

I'm constantly looking for new things to do whether that's in the studio, trying to keep production fresh, or it's going out on the road. It's not the best for business. My team sometimes wants to beat me. But that's what keeps it fresh and keeps me inspired.

Copyright law is a dinosaur, ill-suited for the landscape of today's media.

I don’t need the factory behind me. I just need help getting my music heard.

It's an honor for me to close out Mysteryland. In American music history this is hallowed ground. I think electronic music has a lot in common with the spirit of rock and roll and what Woodstock had going on at the time. We are kind of the new kids on the block and this music isn't accepted by everyone so we are still kind of getting into pop culture and I think its appropriate that this festival is here and kicking down the door.