Copyright law is a dinosaur, ill-suited for the landscape of today's media.

At the beginning of my career, I saw an opportunity to forge new ground and focus on songwriting. Not many people were doing that at the time. Pretty much nobody. I thought I could write some really cool songs that would rise above all these dozens of genres that exist within dance music. I'd make it more about the songs. For the last 20 years, I've been sharing stories of my life through music. I've been writing songs about my life.

It's impossible to overstate how important social media has been to me and the development of my career. The fact that I can go and play venues that hold 25,000 people and sell them out is crazy.I don't have music on the radio. I'm not a pop culture icon. I'm just this kid making dance music. And yet I still can sell out massive arenas. It's truly incredible, and I think a lot of that is because of social media.

I think rap music has made more money on dance music than dance music has made on dance music. Just a thought.

Listening to music is such an uplifting, spiritual thing. Its far-fetched to some - I understand that. But the way dance music brings people together, its not a big stretch from hymns.

I think what's made electronic music so fascinating is that it came up through the underground and always moved and pivoted so quickly that you could never keep a handle on it. That continues to happen. Sure, the stuff on the very top moves slower and is marketed for Spotify. But there are still going to be undercurrents that flow freely and move around, simply because there's too much of a base with this music.

With that explosion of dance music thing, there have been some downsides. We're lacking a little bit of connection right now. Pop music is so massive. It's everywhere. Today, there's less of discovery. There's less "I'm going to drive two hours and go see him at this dirty night club." We're missing a little bit of that. It's still there, and I feel like those connections are still made.