Animation is so much work! I don't know if I have the skills to really hack that. Maybe as storyboard artist or something like that. But you have to go to school to be an animator. I can't just pop behind the animator's table and be like, "Here I am.".

I stopped doing comics because I found the pressure really high to nail it every time. It's really difficult to be creative all the time.

I don't spend as much time drawing as I do writing and reading. That's the really work-intensive part. And by the time I have enough material, it's often way past due time to put the comic up, and I'm already behind schedule, and I have to kind of rush it.

I was told I make intelligent comics, and then I made a comic about a horse that pooped.

A lot of the ways that I like to approach comic books, or anything like that, is not just the book itself, but the fans of it, the readers, the world that exists around it as a cultural object.

I really believe in the power of comics as an educational thing, even ones as silly as mine, because they're a gateway to the actual thing. They're like an easy entrance.

Animation is so much work! I don't know if I have the skills to really hack that. Maybe as storyboard artist or something like that. But you have to go to school to be an animator. I can't just pop behind the animator's table and be like, "Here I am.".