It wasn't that we were afraid of the Church or the Vatican. The record company thought people might find the title offensive. They asked me if I would change ["A Deal with God"].

I was so nervous every night that I had to really focus and keep myself in that moment so that I would not forget the words. I was really present for every song.

There are a lot of very strong connections with music and mathematics. They both can work in patterns and sequences and repetitions.

It's a real joy to be moved by something, but it doesn't happen often to me.

In some ways, when you re-envision a song like that ["Never Be Mine"], there's a completely different energy to it each night.

I suppose my biggest concern would be if the planet is going to be in good enough shape for the next generation to have the privileges that we've had.

You have to try and embrace it all and everyone who represents that change because it is happening.