It's a book [Bink & Gollie] about shortness and tallness, so I think it's appropriate to discuss the virtues of shortness.

We were 15 minutes into it and nothing was happening; I thought, well, that's not going to work. Then all of a sudden everything clicked. I don't know how long it took us, but I would just show up at Alison's [McGhee] office. She would type and we'd just kick it back and forth. Writing is so scary for me, such a lonely endeavor, and it became a wonderful thing to show up and have somebody else go through it with me. It was actually a wonderful experience.

May God strike me down with a hammer on the head before I write a book with a teach-y goal!

I've never worked with a co-author before [Alison McGhee]. Writing for me is a pretty scary thing, so it was a huge comfort to have someone in the room working with me. It became less like work and more like play.

I think that that's part of how people have responded to The Tiger Rising. It's what I call my dark child. It's gotten sandwiched in between two overachieving, tap-dance-performing kids - Winn-Dixie and Despereaux.

I was a kid who lived to read. It was the primary pleasure of my existence. It's still one of the primary pleasures of my existence. It's where I draw my sustenance.

I remember wanting to write a book with someone, the someone being Kate [DiCamillo], and we decided to write about two friends. We had no idea how to begin this project - neither of us had ever collaborated with another writer - and I'm pretty sure that we began by giving our two friends a sock, just to see what they'd do with it. And it went from there.