The Freebie cost virtually nothing. We funded the movie ourselves, people got paid, but were mostly paid in the back end, we used one of the cheaper cameras we could get. The movies have a look to them, you can sorta point out the really low-budget movie. So even if the heart of the movie and the story are really, really great, they always sorta feel a little cheap.

I get very nostalgic for times and places and experiences, but I have a wonderful group of core friends and family who I love and adore, so I don't mourn the loss of any particular friendship. I think they're all part of a path, and the ones that really mean something are still important in my life.

It's cool to get some more energy going and more interest. It's definitely more than it was, still not as much as I'd love it to be, but things are picking up and interesting projects are coming my way, and I love that.

I'd like to make mistakes on my own dime, and not have a herd of people tell me what I'm doing wrong. and I'm also still trying to find and develop my voice as a filmmaker, and I think that's easier to do on your own terms, than trying to satisfy a bunch of people that are paying for the movie. That being said, I'm certainly open to moving into that world.

I love the studio system. Love that studio system and all their money. They're great; I think they're fabulous . You know, what it is right now is I feel like I'm still learning as a filmmaker, I'm still starting out.

[It is nice] to explore someone's will to survive, the ferocity of loyalty, how far you would go to protect the ones you love... I believe women have more power than we give ourselves credit for... We have been known to lift cars off of babies! That's incredible.

If you're a woman, just make a freaking good movie. I don't believe in the women who say, 'It's too hard, I'm getting shot down.'