I'm not computer literate. I e-mail. I know how to get on the Web, but I haven't crossed over into the internet world. I'm old-fashioned, I guess.

Pretty, and you may be talented, but nobody will remember that if you're mean.

Any time I break up with Dawson or question him, viewers turn against me.

Simon McBurney on "All My Sons" on Broadway - we had an eight-week rehearsal period and I really enjoyed the way that he prepared us to go onstage. It was different than anything I've done and it was a different way of being directed, so I tried to take my different experiences of these directors and give those to my actors.

I'm not computer literate. I e-mail. I know how to get on the Web, but I haven't crossed over into the internet world. I'm old-fashioned, I guess.

I think it was around the time of doing those shorts. [Producer] Christine Vachon, I had a meeting with her, and she mentioned the short, this AOL short, and asked if I wanted to do one. And then the next step was the "30 for 30," and again that boosted my confidence enough to decide I'm going to do a feature narrative. And I was supported by my agency, and [producer] Jane Rosenthal has been an exceptional friend, and she produced "All We Had," she encouraged me to do the "30 for 30."

I felt that there was a beautiful story [ in "All We Had"] to be told and one that was valuable and also one that was a size that I could do as my first.