When I read scripts and when I read books, it's more of an emotional response and I was really drawn to these characters.

We didn't have the time to watch playback all the time so I depended on my team [All We Had].

When I was on set I tried not to bug Steven Soderbergh too much. "Why did you put the camera there?" But he was very open to my questions and definitely being on his set was really thrilling because he's such a master.

How do you know you told a good punch line, a good joke? It's because they laugh. How do you know you've got a good scary punch line? It's because they jump out of the seat or scream. So the best reward is one you can listen to.

I used to get so worried that if a scene didn't go a certain way, then it was horrible. But then I realized that it was better to give the director options in the editing room than just being locked into how it's supposed to be.

I think I want to pursue a movie career and maybe even pursue some theatre.

I have some road rage inside of me. Traffic, especially in L.A., is a pet peeve of mine.