Suri is my daughter, she's very, very special to me, and this project took a lot of time and because it's my first feature I wanted her to know that she's so special to me. I thought that as she gets old that will mean more to her, that she's always the most important, and I wanted to give her a special thanks because she means everything to me.

I felt so proud to be having a baby and so excited. And I felt closer to other women - to my sisters, to my mom. I felt empowered, like, 'I've given birth. I did it! There's nothing I can't handle.' I've really enjoyed this time that I have taken to be with Suri, as well as the challenges of the first couple of months: feeding and pumping, learning to decipher what each cry means - is she hungry? Is she tired? Does she need a fresh diaper? - and figuring out how to really help her.

I found it to be more challenging to be in a huge effects movie, because a lot of the things aren't there.You have to trust the director and react to nothing.

Becoming a mother has been the most amazing experience - in an instant you become strong. You have to be a little bit wiser; it's the most important job in the world.

Any time I break up with Dawson or question him, viewers turn against me.

I started working on how I would direct this a year before we started shooting "All We Had" and I was prepping, acting, and directing sort of at the same time. I knew that I didn't want to hold people up on set.

I think it was around the time of doing those shorts. [Producer] Christine Vachon, I had a meeting with her, and she mentioned the short, this AOL short, and asked if I wanted to do one. And then the next step was the "30 for 30," and again that boosted my confidence enough to decide I'm going to do a feature narrative. And I was supported by my agency, and [producer] Jane Rosenthal has been an exceptional friend, and she produced "All We Had," she encouraged me to do the "30 for 30."