I really hope that I get to work with Chris [Nolan] some day.

She'll really tell me [what she thinks]. Like today I'm wearing brown suede pants, and she said, 'I don't like your pants.' But then she'll say, `You've got to wear these shoes.' Or 'That's so pretty, Mom. Wear that.' She's got a great eye.

We didn't have the time to watch playback all the time so I depended on my team [All We Had].

Suri is my daughter, she's very, very special to me, and this project took a lot of time and because it's my first feature I wanted her to know that she's so special to me. I thought that as she gets old that will mean more to her, that she's always the most important, and I wanted to give her a special thanks because she means everything to me.

I started working on how I would direct this a year before we started shooting "All We Had" and I was prepping, acting, and directing sort of at the same time. I knew that I didn't want to hold people up on set.

When I was on set I tried not to bug Steven Soderbergh too much. "Why did you put the camera there?" But he was very open to my questions and definitely being on his set was really thrilling because he's such a master.

I'm not computer literate. I e-mail. I know how to get on the Web, but I haven't crossed over into the internet world. I'm old-fashioned, I guess.